Setsuko Hara – Late Spring (Yasujiro Ozu, 1949)

Whereas elsewhere crescendos will always threaten from somewhere beyond the frame here the space between simple gestures offers alternative volumes.

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Fred Astaire versus Jason Statham – The Transporter (Cory Yuen, 2002)

Despite the changing frames and the patterns they contain traditions of power, poise and captured grace remain constant and engaging.

Fred Astaire

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The Case of the Bloody Iris/Perché quelle strane gocce di sangue sul corpo di Jennifer? (Guiliano Carnimeo, 1972)

The eloquence of this striking sequence is found in the mannered interplay between visual extremity, directed expression and studied response.Iris 1Iris 2Iris 3Iris 4Iris 5Iris 6Iris 7Iris 8