The Skin of the Frame

Beginning off-screen and beyond then thrusting inward; a movement that forever ruptures the sanctity of the skin of the frame.


Fred Astaire versus Jason Statham – The Transporter (Cory Yuen, 2002)

Despite the changing frames and the patterns they contain traditions of power, poise and captured grace remain constant and engaging.

Fred Astaire

Feet 2
Feet 2

Feet 3
Feet 5


Jason Statham – The Transporter (Cory Yuen, 2002) – First Section

Width and angle here provide the ideal opportunity to acknowledge the film’s old-fashioned fascination with outline, cut and choreography.

Transporter 1Transporter 2Transporter 3transporter 5